Wednesday, July 6, 2022

Leigh Collection.

 

                       Big Sky        4x5'        thrown and splattered paint on canvas        2022



More overthrow on an existing painting. Sometimes, paintings just want more. I try to place my paintings in our house for awhile, live with them if I can. I get a better feel for what they are saying, and what I want them to say. When that happens, I frequently will add more throws and splashes, sometimes just a few enhancements, at other times, the painting will be completely changed. 

In this instance, we can still sit and feel the big sky, but now instead of a sleepy afternoon, the sky is reflecting action. There was a storm, there's an upcoming storm... we don't know, but it's definitely more indicative of action. The plants too have changed a bit. Though the original are there, I threw some dark reeds and seeds on top, using a stick . It indicates viewing an object with the sun behind or low on the horizon, highlighting the background and darkening the foreground. The reeds are a bit more bent as well, again depicting movement and the air above them is alive with anticipation. 


sold

Beverly Hills Art Show 2022 Jack


              Jack       48x36"        thrown and splattered acrylic paint on canvas       2022

             Beverly Hills ArtShow.  Oct 15&16  10am-5pm.  booth 304


              This has an overpainting  of multicolor splatters on a Jacaranda that was thrown in traditional colors. The new work colors are teals, pinks, reds, kellys, yellows and more. This is relatively a new turn in my work, the addition of colors that would not normally be in a particular subject matter. Then again, my work is becoming looser again as well, which complements the varying color ranges. 

In the beginning it was all about the throws and splatters. Once I had a handle on that, insert laughter, I moved on to getting as close to representation as I could while using the techniques of throws and splatters. It was a fight not to become too representational, since I wanted the technique acknowledged in the work.

Now it appears I am backing up a bit with skill and again focusing on feel. How does the painting feel? Does the feeling represent the subject, and vice versa.